The Shame of Speaking Konkani – III

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By DALE LUIS MENEZES

 

Pride and shame, it appears, are two sides of the same coin. Invariably, pride seems to be a logical solution when an individual recognizes that s/he is being shamed by political institutions and establishments. In the past few weeks we have had occasions to discuss the operation of shame and humiliation within Konkani language politics. The discussion initially focused on a song by Alfred Rose and made some observations about the type of politics in which the man and his work were entrenched.

 

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The Shame of Speaking Konkani – II

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By DALE LUIS MENEZES

 

The writing of a second installment to my article ‘The Shame of Speaking Konkani’ (published a fortnight ago), is partly for emphasizing the problem at hand and partly fortuitous. I say fortuitous because, in response to my article, Damodar K Kamat Ghanekar wrote a letter to the editor (4 September, 2015) and had a rather interesting anecdote to narrate in the same. The manner in which the abovementioned anecdote is narrated further allows us to see how shame and humiliation operates within Konkani language politics.

 

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The Shame of Speaking Konkani

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By DALE LUIS MENEZES

 

In this column I would like to discuss one of Alfred Rose’s most popular songs, Anv Konknni Zannam (I Know Konkani), which he sang along with his wife, Rita Rose. Given that the issue of language – particularly ‘mother tongue’ – is being hotly debated in Goa presently, this particular song provides an opportunity to reflect on a serious issue about the Konkani language that is rarely spoken about.

 

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