For Past’s Sake: Digitization

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By DALE LUIS MENEZES

 

Exactly one month ago, the whole world watched shocking images of the Museu Nacional in Rio de Janeiro, Brazil engulfed in flames. The destruction of the fire was so severe that most of the museum’s rare and precious collections of fossils, natural specimens, audio documentation, and archives were destroyed. The most devastating image that brought home the severity of the fire was the aerial photo of the hollowed out building, the majestic former Paço de São Cristóvão, the erstwhile residence of the Portuguese royal family. For Brazilians reeling under a series of political and economic crises, the fire was symbolic of all that is wrong with the present government.

 

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The Janave Across Goan History

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By DALE LUIS MENEZES

 

In the popular imagination, Goan history generally begins with the arrival of the Portuguese, followed by conquest and religious conversions. This four-and-a-half-century long period contains periods of oppression and cultural efflorescence, but mostly unbridled oppression. However, this changes once the Indian army marches into Goa in December 1961, leading Goa and its people, from the centuries-long darkness that they suffered, into the light of unfettered freedom. What the average Goan knows about this narrative is filtered through the lenses of a good amount of political machinations, besides family lore and myth. These unreliable and fragmented memories lead to a skewed understanding of Goan history and identity. The hold of this narrative is so complete that one finds it pervading in all walks of Goan life. Using Kalidas Mhamal’s installation “Caste Thread”, this essay will talk about the popular narrative of Goan history and its tenacious hold on the people of Goa.

 

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