The ‘Mothers’ of Goa

By DALE LUIS MENEZES

 

Every few months the issue of identity emerges in Goa, and vociferous debates and discussions undoubtedly follow. One can observe a certain tendency wherein political issues are reduced to issues of Goan identity. This is done by emotionally appealing to the masses that their existence solely depends on protecting an abstract idea – the Goan identity. This abstract and loosely-defined idea assumes different forms around events, symbols, and objects as the political and ruling classes see fit. One way in which these emotional appeals are made is through the idea of ‘mother’.

 

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Unburdening the Language from Motherhood

By KAUSTUBH NAIK

 

The debate over Goa’s language issue continues because the conflict is far from being resolved.The passing of the much controversial Official Language Act (OLA) in 1987 did anything but resolve it. In my previous columns, I have argued that the passing of the OLA was an act to impose Hindu Saraswat hegemony onto the Goan people, particularly the Hindu and the Catholic bahujan communities. In a book published in 2004, bahujan activist Ramnath Naik termed Nagari Konkani as ‘Bamani’, indicating the caste location from which the Nagari Konkani assertion emerged and is sustained till today. BJP MLA Vishnu Surya Wagh, in his op-ed article in a Marathi daily few weeks ago, also made a similar assertion, attracting sharp reactions from the Nagari Konkani camp.

 

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The Shame of Speaking Konkani

By DALE LUIS MENEZES

 

In this column I would like to discuss one of Alfred Rose’s most popular songs, Anv Konknni Zannam (I Know Konkani), which he sang along with his wife, Rita Rose. Given that the issue of language – particularly ‘mother tongue’ – is being hotly debated in Goa presently, this particular song provides an opportunity to reflect on a serious issue about the Konkani language that is rarely spoken about.

 

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