By KAUSTUBH NAIK
Have we ever bothered to think why the tragedies of Delta Meghwals and Rohith Vemulas fail to enter the mainstream public imagination? What discourse constructs our world of realities where the inhuman tragedies that continue to perpetrate the horrors of caste and gender violence fail to even attract sympathy, let alone bringing those involved in committing these heinous crimes to punishment? Rather, the mainstream public sphere is characterized by a perpetual invisibilizing and negation of the violence that emanates from caste and patriarchal structures. Sairat, a film by Nagraj Manjule, is a cinematic intervention against such constructions of reality and compels us to look beyond what meets the eye.