Reading Reginald: Between “Venice” and “Russia”

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By DALE LUIS MENEZES

 

During a recent visit to the Central Library in Panjim, I stumbled upon an entry in the database titled “Theatr Neketr Fuddarachem” authored by “Reginaldo Fernandes”. Knowing that generally Reginald Fernandes used an anglicized version of his name in most of his romanses, I decided to make sure if it was the same Reginald that I was interested in. The book procured for me was a small, pocket-sized one with no more than 70 pages which had badly yellowed and had become brittle as well. This book was published from Bombay in 1936.

 

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Reading Reginald: Inside Africa

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By DALE LUIS MENEZES

 

The last time I had written about the Konkani novelist Reginald Fernandes, I had suggested that to understand such writings as romans (and even tiatrs) we would have to think anew and look more closely into these writings. Accordingly, I had hinted that the way Reginald Fernandes understood and conceptualized ‘dignidad’ could be one of the many ways to understand the corpus of writings written in the Roman script. In response to my article, many felt (through social media) that Fernandes’ books should be put back in circulation. Though such an initiative would be welcome, this was not the point I was trying to make. Rather, what I wanted to do was to initiate critical discussion on the possibilities that are available in Fernandes’ writings.

 

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Reading Reginald: Magic, Love, and ‘Dignidad’

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By DALE LUIS MENEZES

 

Reginald Fernandes was one of Konkani’s most proficient writers, having more than a hundred books to his credit, with his avid readers excitedly waiting for his next offering. Fernandes wrote romans, which can be translated as novels (or novelettes, if one is being pedantic). Although Fernandes, and the genre of Konkani writing to which he contributed immensely was and is very popular, the romans as well as Fernandes have not received the critical scholarly and literary appreciation, that they so rightfully deserves.

 

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