Dale Luis Menezes will make a presentation on “‘Azulejo’ tiles and the Islamicate in Goa”

Exploring the Islamicate in Goa, Dale Luis Menezes will make a short presentation titled, “Azulejo tiles and the Islamicate in Goa” on September 4, 2017, at 7 pm, at 6 Assagao.

 

The presentation will focus on the azulejo tiles used in 17th century monuments in Goa. These tiles which were originally produced by the Persians, found their way to Western Europe through the Arabs. Initially Spain and later Portugal, adopted the art of making azulejo to so great an extent that it became indigenous to these two countries. The Augustinian buildings in Goa (Nossa Senhora de Graça [Our Lady of Grace] church, along with the convent of Santa Monica) located in Old Goa are the only religious buildings known to have used such tiles for ornamentation (c. 17th century and later). The complex political geographies in which the Portuguese Estado da Índia was located consisted of many forts, ports, as well as imperial formations such as those of the Mughals, Ottomans, Safavids and so on. Officials, missionaries, and traders from Goa would often travel within these realms. Hence, one can imagine a space that was connected with each other in dynamic ways, exchanging not just goods, but also cultural artifacts. The fact that such dynamics exchanges were taking place regularly should essentially make us seek the many ways in which cultural artifacts were exchanged. One such way of doing this is to deeply explore the ‘Islamicate’, which, as Marshall G. S. Hodgson and other historians subsequently have argued, is cultural and artistic practices inspired and related to Islam, but which is not necessarily religious in nature. Thus, one can easily expect to find Islamicate art right in the middle of a Catholic church or a Hindu temple. By formulating questions and theories about the origins of the azulejo tiles used in the Augustinian buildings, and the political conditions that may have led to their transport in Goa, this presentation seeks to open up Goan history to the Islamicate.

 

Jason Keith Fernandes at Fundação Oriente, 6 July, 2017

THIS EVENT HAS BEEN POSTPONED TO THE END OF THE YEAR. INCONVENIENCE CAUSED IS REGRETTED.

 

In March this year Dr. Jason Keith Fernandes was invited to choose one piece from the Museu Oriente’s Kwok On collection (Lisbon) and make a presentation as a part of their India Visual cycle.

 

Choosing the idol of the Goddess Yellamma as a starting point, in a reprise of his presentation at the Museu Oriente, Dr. Fernandes will suggest that what often appears Hindu is in fact also profoundly Islamic in nature.

“The Unsung Glories of the imam: Silence, Absence and the Islamicate in the Kwok On Collection’s India holdings” will demonstrate the manner in which practices associated with the Shia faith, and the historic figure of Imam Hussein are central to much South Asian (Indian), and indeed Goan culture.

 

Jason Keith Fernandes was awarded a Doctorate in anthropology for his research that examined the conflicts around the demand for the recognition of Konkani in the Roman script in Goa’s Official Language Act. Jason came to anthropology after a Bachelor’s degree from the National Law School of India, Bangalore and a Master’s degree from the International Institute for the Sociology of Law. A recipient of various scholarships, he has worked in the developmental sector, taught at the National Law School, and is a contributor to various local and national newspapers.

 

Dr. Fernandes is currently a post-doctoral scholar at the University Institute of Lisbon.

Jason Keith Fernandes at the Museu Oriente, Lisbon

Jason Keith Fernandes will present a paper entitled, “As Glórias Desconhecidas do Imam: O Silêncio, a Ausência e o Islamicate na Índia da Colecção Kwok On” (The Unsung Glories of the Imam: Silence, Absence, and the Islamicate in the Kwok On Collection’s Indian section) at 18:30 on 19 April, 2017 at the Museu Oriente, Lisbon.

 

The “India Visual” cycle is a collaborative effort between the Museu Oriente and CRIA – the Network Centre of Research in Anthropology. This cycle, that include conferences, round tables, and screenings of films and documentaries with the presence of researchers, academics and other persons linked to India and the many dimensions of this visual culture  seeks to use visual culture in India as the point of departure for reflections on diverse themes: art, religion, politics, consumption, gender, advertising, and media among others.

 

 

Drawing on various Indian pieces in the Kwok On collection, this presentation will suggest that what often appears Hindu is in fact profoundly Islamicate in nature. The term ‘Islamicate’ was introduced in 1974 by the famed scholar of Islamic studies Marshal Hodgson in his book The Venture of Islam.  In this work he suggests that ‘Islamicate’ would refer not directly to the religion, Islam, itself, but to the social and cultural complex historically associated with Islam and the Muslims, both among Muslims themselves and even when found among non-Muslims. Drawing on this idea, the presentation will demonstrate the manner in which practices associated with the Shia faith, and the historic figure of Imam Hussein are central to much South Asian (Indian), culture. Recognising this fact complicates and challenges the way in which both individuals and institutions – such as museums – understand the subcontinent.